The Kendrick Brothers of Sherwood Bible Church are at it again. No doubt hoping to match their home run of Fireproof of 2008, they’ve shifted their focus from taking on divorce to attacking fatherlessness in America. We’re still in Albany, Georgia, but this time, instead of following the heroics of the Albany Fire Dept.,  we’re on patrol with the Dougherty County Sheriff’s Dept. (Interesting that, Albany being a city of 77,000, it doesn’t seem to have its own police force, but I guess they had to trim the cast somewhere.)

The Kendricks have ramped the action up a notch with this one. Right at the beginning, we see Fireproof’s Ken Bevel, now playing Nathan Hayes, stop for gas, only to have his truck stolen by a dew-rag clad gang-banger (T.C. Stallings, a devoted husband and father in real life). He throws himself half-way through the driver’s window, and we are treated to a fist-fight with Nathan hanging out the window at 30 miles an hour. The movie eventually leads up to a climactic scene with guns blazing. In between is more action, more than a few laugh-out-loud moments, and a heart-felt message about how crucial a father is to a child’s development, and how those without fathers often become dew-rag clad truck thieves.

The story follows Deput. Hayes, a recent transfer to the department, three other Deputies, Adam Mitchell (Alex Kendrick), Shane Fuller (Kevin Downes), and David Thompson (Ben Davies), and Javier Martinez (Robert Amaya), a rarely employed construction worker, and their families. Javier breaks his back to provide for his family and eventually finds employment working on Adam’s house. He then becomes part of the group. David is the rookie of the squad who’s holding in a shameful secret. He has a daughter around three years of age, whom he has never met, and whose support he had not contributed a dime to. (Apparently, the Georgia Division of Child Support Services was vaporized along with the A.P.D.) Shane struggles to be a dad to his son when he only sees him every other weekend.  Adam dotes on his daughter but refuses to join his son for the father-son 5K. And Nathan and his wife, Kayla (Elenor Brown), struggle to fend off the “saggy-pants boys” interested in their teenage daughter.

A tragedy eventually forces these men to reevaluate what they are doing as fathers. The story dives into Christian kitsch for awhile. Adam comes up with a written resolution and the five families actually hold a ceremony with their pastor in which they dramatically recite it. In a similar vein, we later see Nathan take his daughter to a very expensive restaurant (below), where he, again with great ceremony, presents her with a “promise ring.” Yeah, I know. I chortled at this scene, too, but then I found out my wife had very specific plans for me to do exactly that with our daughter one day.

But for all the kitsch, the film really is trying, and trying to do far more than just entertain. The problems with Courageous mainly serve to highlight the fact that most movies just fill themselves up with explosions and car wrecks and expect you to buy a ticket. Courageous sets the bar much higher, and does come close to clearing it.

There was a time when I would have been unable to enjoy this movie. I can enjoy it now largely because I have a wonderful wife, who makes my life very sweet. That said, there are still some key points of this film I can’t help but take issue with. A lot of the film’s attitude is summed up when Nathan delivers the curmudgeonly line “If fathers just did what they were supposed to, half the junk we see on the street wouldn’t exist.” This seems to be the mantra of conservatives and liberals alike: it’s all men’s fault. But if you look at the history of America over the last 40 years or so, men have not been the only – or even the primary – culprit of the breakdown of the family. History does not tell of a movement of men throwing off their responsibilities to society. We don’t see crowds of men burning their undergarments and demanding the right to kill their children. We don’t even hear men demanding that they be fed and clothed for free. We do, however, see women doing all these things.

Studies show that in the U.S. today, more than two thirds of all divorces are initiated by the woman. And why not? The same political machine that brought us America’s holocaust in 1973 has tilted the legal game board of divorce ridiculously toward the woman’s pockets. (Please note: Every man in Iowa should carefully read chapters 236 and 598 of the Iowa Code before he even thinks about getting emotionally attached to a woman. As for the other states, talk to a lawyer there.) Millions of children in the U.S. grow up without fathers because their mothers want it that way.

My first year out of law school, I worked in a family law firm. I never had a man in my office who didn’t care about his children. Most of my clients were there because they were having to fight just to see their children. The slant in family court is based on more than gender stereotypes.  The judicial community includes many territorial lionesses. A child is power, and they are not about to share it. Conversely, male judges are of the old way of thinking, in which men are expected to take the lumps and bear the weight of the world on our shoulders without complaint. This combination of liberal women and conservative men, not only in court, but also in society, is a frustrating dynamic. While women are exhorted about their rights, men are flagellated with our supposed responsibilities. Lawyers aren’t supposed to get emotionally involved, but I couldn’t help feeling the pain my clients felt. Commanded to be fathers by the right, yet torn from their children by the left; commanded to “be a man,” yet emasculated.

Courageous never addresses any of this, failing to live up to its name. The Kendrick brothers buckle under the pressure of political correctness. Too afraid to take women to task for their desertion, like so many before them, they turn on men.

It’s hard to stay angry at a movie that has this much heart, and is actually trying to make a difference in the world. But while it’s a valiant effort, another Fireproof it is not.  Fireproof met

Actor-director Alex Kendrick takes aim at bad fathers.

people squarely where they were at. There’s no reason 3 billion men couldn’t have connected with Caleb Holt, the fire chief who shows valor in the work place, but doesn’t know how to love his wife. The story eventually shows that, only by first receiving the unconditional love of God can Caleb show unconditional love to the flawed and sinful woman he lives with. It would actually  have been fairly simple for Courageous to do the same thing. Shane Fuller is a character that millions of men would easily connect with, including unbelievers. He is divorced. He wants to be a father to his son, but, as he explains it, he only gets him every other weekend, after his mother has filled his head with her toxic opinions of him. He wants to provide for his son, but almost a third of his paycheck is swallowed by alimony. Shane should have been the lead role of this movie! He could have been the Caleb Holt of Courageous. How can Shane, and other men, be the kind of fathers God wants them to be, despite the obstacles? How can God help them to raise their kids right despite what they have  to deal with? This was a golden opportunity for the Kendricks to win the hearts of their intended audiece. Beating up on men will do nothing to fix the family. Ministering to broken men where they are at will do a lot more.

Sadly, Shane is confined to a small role as the bad cop we’re not supposed to like, and Courageous preaches to the choir. Most of the focus is on Adam, Nathan and Javier, who all have perfect wives, straight out of a Christian fantasy.

Overall, I recommend seeing Courageous. There’s a lot of great moments I didn’t want to spoil here. The fact that I can even disagree with it shows it had more of a brain than most movies. It’s not easy to make a movie that ministers. I still laughed and I was still swept along by the story. It was good to see Christian cinema taking another (mostly) positive step.

Number four at the box office in October of 2011. High-five!