Harry Potter and the Deathly Hallows Part 2

The final bout between good and evil in J.K. Rowling’s majestic universe comes to a close after eight films.  With Harry Potter and the Deathly Hallows Part 2 there isn’t much need for an in-depth criticism on the final movie (or half-movie).  Rather I am provided a welcome opportunity to reflect on the series as one of the most impressive accomplishments committed to film.

Few literary adaptations could translate so well into eight thrilling motion pictures.  Rowling’s pages have not only given youngsters a hunger for reading, but cinematic magic has also applied sight and sound to that text over the course of 10 years—and to universal acclaim.  Audiences love these books and they love these movies.

As a capper to Harry Potter, Deathly Hallows Part 2 is of course bittersweet.  Harry, Ron and Hermione continue their search for the remaining horcruxes that contain pieces of the dark Lord Voldemort’s soul, pieces that make him immortal.  Hogwarts is under the iron fist of betrayer Severus Snape until Harry returns to defend Hogwarts and prepare for his final confrontation with Voldemort.  Secrets are revealed.  Lives are lost.  A looming doubt about Harry’s fate (for those who haven’t read the novel) hangs over two hours.

The last entry falls under the direction of David Yates once again.  Having helmed half of the installments of the series, he has proven ever-capable.  Chris Columbus brought the innocence and sense of discovery to The Sorcerer’s Stone and The Chamber of Secrets.  Alfonso Cuaron brought a refreshing angst and eccentricity to The Prisoner of Azkaban.  Mike Newell allowed for a sharp transition to the gloom of the series with The Goblet of Fire.  Yates has since handled the darkest corners of the Harry Potter universe as the fun and games have been exchanged for Harry’s personal endeavor to save both the world of magic and the world of humans.

Since 2001, the films have remained remarkably consistent even as the actors have aged a great deal and the tone of the story has evolved.  Deathly Hallows Part 2 continues the tradition of solid craftsmanship.  Sure, it hurts the film that it is really only half of a film.  In fact, I made the mistake of not revisiting Deathly Hallows Part 1 before jumping into Part 2.  For those on the fence about needing a refresher beforehand, I strongly recommend it.  Yates has split one 4-hour-plus movie into two parts and he doesn’t leave us any footnotes along the way.  As a standalone installment, Part 2 really hurts without watching Part 1 along with it.  The tension and rising action have to be brought in the pockets of audiences and applied from the get-go.  While that may not be a fair criticism of the movie as it is intended as part of a larger story arc, it is worth noting.

In terms of ending the saga, the film does a perfectly satisfactory job.  The actors are on their game.  The special effects and action sequences are grandiose, and yet interestingly punctuated by several extended moments of quiet.  I may have expected more of a thrilling showdown between Harry and Voldemort, but the buildup has been over seven previous films so I can understand that anticipation may have gotten the best of me.  What I enjoyed most about this final entry were the surprises along the way and the tender moments among the notable characters of the series that earn their last minutes in the spotlight.

I would say I’ve enjoyed other chapters from this saga more than Deathly Hallows Part 2, but as a sendoff to the Harry Potter universe, the film is again very well-made and audiences are going to love it and will likely still be hungry for more.  The hint of future installments of J.K. Rowling’s world have been set.  Even if they never come to fruition, at least her accomplished works are ready and available to young readers.  As for the future of Harry Potter, I’m willing to bet on a return of sorts for a new generation ready for magic.

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Harry Potter and the Deathly Hallows, Part 1 (Book and Movie)

So it has come to pass. Twenty years after an “idea simply fell into” author J.K. Rowling’s head, we are nearing the completion of a franchise development truly without precedent. Not only did Rowling manage to write an extremely rare heptilogy of novels, and make every one engaging enough to keep readers begging for more, but Warner Brothers Studios is now nearing completion of a truly unique achievement: an actual octilogy of multi-hundred-million dollar films, consistently written and cast over ten years. This achievement deserves mention, even if it’s ultimately just a testament to mindless consumerism. With so many major characters in the epic tale, many of them juveniles, keeping the entire cast together for eight movies must have been a managerial and legal nightmare, to say nothing of churning the movies out fast enough to (almost) keep up with the aging actors. Add to that the level of special effects the story requires and the problems always posed by child actors, and it’s truly amazing any of these films turned out decent.

And I would have to say, that’s just what they are: decent. Nothing more, nothing less. None of them are bad by any means, but it’s impossible for me to watch one without thinking about how much more powerful the book was. The books, unfettered by the logistical problems mentioned above, and free to be as long as they needed, took us to places no movie ever could. Two of the most powerful scenes from Book VII – when Ron destroys the locket, and when Herminoe attacks him afterward – have been reread many times by me, drinking in every word and feeling the raw emotion of the characters. Both of these scenes are pretty flat in the movie. In all honesty, though, I can’t read the more recent books without longing for the early books.

The tone of the stories has certainly changed along the way from Sorceror’s Stone to Deathly Hallows. Check out this excerpt from Stone, chapter 8:

There were a hundred and forty two staircases at Hogwarts: wide, sweeping ones; narrow rickety ones; some that led somewhere different on a Friday; some with vanishing steps halfway up that you had to remember to jump. Then there were doors that wouldn’t open unless you asked politely, or tickled them in exactly the right place, and doors that weren’t really doors at all, but solid walls just pretending. It was also very hard to remember where anything was because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk.

Now listen to Hallows, chapter 1:

“Do you recognize our guest, Severus?” asked Voldemort. Snape raised his eyes to the upside-down face. All of the Death Eaters were looking up at the captive now, as though they had been given permission to show curiosity. As she revolved to face the firelight, the woman said in a cracked and terrified voice, Severus! Help me!”

“Ah, yes,” said Snape as the prisoner turned slowly away again. “For those of you who do not know,” said Voldemort, “We are joined here tonight by Charity Burbage who, until recently, taught at Hogwarts.”  There were small noises of comprehension around the table. A broad, hunched woman with pointed teeth cackled. “Yes, Professor Burbage taught the children of witches and wizards all about Muggles … how they are not so different from us …”

“Severus … please … please …”

Nobody laughed this time. There was no mistaking the anger and contempt in Voldemort’s voice. For the third time, Charity revolved to face Snape. Tears were pouring from her eyes into her hair. Snape looked back at her, quite impassive, as she turned slowly away from him again.

Avada Kedavra.”

The flash of green light illuminated every corner of the room. Charity fell, with a resounding crash, onto the table below, which trembled and creaked. Several Death Eaters leapt back in their chairs. Draco fell out of his onto the floor. “Dinner, Nagini,” said Voldemort softly, and the great snake swayed and slithered from his shoulders onto the polished wood.

We all love stories about more exciting worlds hidden in our own. As we all know, the premise of Harry Potter is that there is a civilization of wizards and witches living in hiding somewhere within our own world. There are enough of them and they have enough power and resources to have their own towns, traditions and unique modes of transportation. Of course, if you’re buying this, you’ll probably buy that there are mutant turtles practicing ninjitsu in the sewer. Why haven’t any of the zillion satellites orbiting the earth photographed Hogwarts? How could an airborne event the size of the Quiditch World Cup go unnoticed by Muggles? If wizards are so powerful, why do they need to hide? The story occasionally posits flimsy explanations for this, but of course, we all know, the real answer is WHO FRICKIN’ CARES? Harry Potter gives us the chance to escape our world completely and enter one of dragons, adventure and the moral clarity that’s hard to find in real life.

Some more questions about Harry’s world: if Parseltounge is such a rare gift, why can any human apparently talk to Aragog the Spider in Chamber of Secrets? Why is Hogwarts full of ghosts, while Harry’s parents and other’s killed by Voldemort are truly gone?  (This one must have hit Rowling about halfway through the series, because she starts ignoring the ghosts as much as possible about then.) Things like this weren’t a problem when we laughed with 11-year-old Harry on magical school grounds, but as Rowling made the books more and more serious and world-changing, we were forced to question them more and more. One of the most irritating features of the movies is that they increasingly portray Harry against a backdrop of skyscrapers. Harry Potter was at his best when we could join him in a closed universe, nothing like our own, and forget our troubles amid the innocent fun of quiddich and wizard’s chess. Frankly, the subject matter of Harry Potter just isn’t worthy of epic battles and mature romance.

Having said all this, I must confess that I still genuinely enjoyed the later books, and genuinely enjoyed Deathly Hallows, Part 1. Splitting this story in half enables the film to at least come closer to the depth and richness of the book. I’m eager to see Part 2. If you’re a Potter fan, you should check this one out. Just do me one favor. Don’t deprive yourself by only watching the movies. PLEASE read the books.

The Book:

The Movie:

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Harry Potter and the Deathly Hallows (Part 1)

Harry Potter Deathly HallowsI’m not the world’s most aredent Harry Potter Fan.  I read the first three books partly out of a sense of generational obligation, and partly out of mild curiosity, but always found their Lord of the Rings-lite sensibilities to be more than a bit uninteresting.  They were entertaining and charming, but midway through Goblet of Fire I gave up and went back to George Orwell and Tolkien.  I just wasn’t too interested in Harry Potter’s adolescent crises amidst the magical world of Hogwarts and bludgers and muggles…oh my!  Well, not in reading about them anyway.  I did enjoy the movies, as they tended to distill the essence of each book into an easily digestable cinematic experience, and all of them have been pretty solid film offerings unlike some other book-to-movie adaptations.  I also appreciated that the themes of the books and movies tended to mature with the characters and, subsequently, their audience.  There’s only so many Quidditch games and slug-vomiting potions a guy can take before he takes the advice of his 6th grade D.A.R.E. instructor and just walks away.

But the most recent movies like Order of the Phoenix and Half-Blood Prince (not to mention the ending of Goblet of Fire, which I thought was a bit of a cheap move on Rowling’s part, but dark nonetheless) have seen the tension factor ratcheting up higher, the implications of the conflicts grow ever wider, and the characters dealing with some serious life-and-death stuff.  Add to that some examination of spirituality and romance, and the Harry Potter series really has come a long way since magical chess games and diatribes on the correct pronunciation of Wingardium Leviosa.

Deathly Hallows: Harry, Ron, Hermione Grown Up

Harry, Ron, and Hermione, all growed up.

And so we have the stage set for the final chapter in the Harry Potter series.  Doing away with the concept of exposition entirely, since if you don’t know who these people are by now you have no business watching, the film gets right down to business with Potter and his friends on a mission to escape a posse of evil Death Eaters sent by Lord Voldemort, J.K. Rowling’s counterpart to Dr. Claw.  They all meet up at the Weasleys, the most ill-conceived safe house location ever (unless Hagrid and company were hoping Voldemort and his goons would overlook the most obvious place in the world for Harry Potter and his friends to hole up for a while) and take pains to evade detection by the most powerful evil wizard in the world by having a gigantic wedding party for a pair of secondary characters whom we are supposed to know or care about.  Soon Harry, Ron, and Hermione set out on the ultimate teenage wizard road trip/collect-a-thon as they try to locate seven Horcruxes–objects where Voldemort has stored up bits of his eternal soul.  Destroying these will bring an end to evil once and for all and allow Harry to finally get some much-needed closure about his parents’ murder too.

It’s actually kind of refreshing to have a Harry Potter movie focus so much on the three main characters.  Hogwarts is nowhere to be found in the entire film, and instead Potter and his friends set out to make the ultimate travel brochure by visiting every last gorgeous landscape and sweeping vista to be found in the entire United Kingdom.  As they magically transport from one locale to the next, they deal with a lot of relationship issues and even have a bit of good old-fashioned romantic jealousy come between them (even though Ron and Hermione are about as believable of a couple as Anakin and Amidala) while seeking out the Horcruxes and delving deeper into the mystery of the Deathly Hallows.  We are also given much more insight into the characters of Draco and Lucius Malfoy, and begin to ask some serious questions about Professor Snape as well.  It’s this type of three-dimensionality that this final installment offers that sets it high above so many other entries in the fantasy genre.

Deathly Hallows: Draco Malfoy

Draco Malfoy, who doesn't know the meaning of the phrase "bad hair day."

It’s an engaging tale well told, and as dark and grim as the series has ever been.  A couple beloved characters have been dispatched over the various entries in the series, but in Deathly Hallows it seems no one is safe from the Grim Reaper’s scythe.  The film even has some genuinely disturbing parts too, and is certainly not a movie for kids.  Women are tortured and sacrificed, bodies are mutilated, and we see Potter and his friends go to some very dark places in order to do what needs to be done.  It’s a world of ambiguity and grey morality, and offers some thought-provoking questions on what it means to simply do the right thing.

In the nine years since The Sorcerer’s Stone was unleashed into theatres, Harry Potter and his friends have been on some absolutely incredible journeys.  It’s almost sad to see things finally coming to an end, and as such I didn’t mind at all that this final film was split into two parts (Part 2 is scheduled to blow the doors off the box office in summer 2011).  We’re in the homestretch now, and even though Deathly Hallows is a striking departure from the rest of the series, it is a fitting beginning to the graceful swan song the series deserves.

Rating:

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Harry Potter and the Half Blood Prince

harry-potter-and-the-half-blood-prince-poster-1Another success of a film, which is to be expected at this point, ‘Harry Potter and the Half Blood Prince’ gets to take a look back at the history of Tom Riddle before he became the dark wizard known as Voldemort. Dumbledor requests Harry Potter’s help in seeking information out of an old professor of Riddle’s named Horace Slughorn (Jim Broadbent) who may withhold a secret about Tom Riddle’s past that could prove very useful. Meanwhile, Harry suspects fellow classmate Malfoy to have ties with Voldemort’s dark forces.

David Yates again returns to direct, and will also helm parts One and Two of ‘The Deathly Hallows’ due out November 2010 and July 2011, respectively.  This sixth installment is all build-up for the final film wisely split into two parts by the studio and filmmakers.  ‘The Half Blood Prince’ sees many major events take place that I will not reveal. It’s a continually interesting story, looking back at the young Tom Riddle’s turn for the worse, only briefly touched on in ‘The Chamber of Secrets’ which many may not remember all that well. Or who am I kidding? Potter fanatics (the bulk of the audience) will know everything, but to the average moviegoer having seen each film only once–they may need a refresher that Tom Riddle is in fact Lord Voldemort.  There are many more aspects and developments in this film that I won’t discuss, partly because I refuse to ruin anything and partly because there’s just a lot going on here. Teen romances and ‘Cosmo-girl’ yap also bleed all over this puppy with all the major characters, but it isn’t necessarily a bad thing, and it also adds for quite  a bit of humor this time out. It’s refreshing to see some regular teenager behavior after all the dark and doom fixated over ‘Order of the Phoenix.’ There’s still that darkness intact in this film, but the script allows for more scattered light to shine through. ‘The Half Blood Prince’ is a bonafide blockbuster film, lighter on the action maybe, but another involving installment that ends with a cliffhanger to expected gripe. No worries, the story continues a year and a half from now. This is great entertainment (a rare treat this summer), and on par with my praise for the previous film.

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Harry Potter and the Order of the Phoenix

harry-potter-and-the-order-of-the-phoenix-1-800x600The best installment of the franchise so far, ‘Harry Potter and the Order of the Phoenix” is a dark and visceral film full of spectacle, action and strong storytelling.

Harry and friends must now do battle with the new evil Professor of Defense Against the Dark Arts (it seems there’s always a new one), Professor Umbridge (Imelda Staunton). She takes over Hogwarts and abuses her authority under Ministry rule to rid the school of any performing of magic. No one believes Harry that Lord Voldemort has returned, and since the school can no longer prepare the kids for the dark times to come, Harry takes it upon himself to secretly train his fellow classmates, under the title ‘Dumbledor’s Army,’ to prepare for battle.

This installment of the franchise is brilliant from beginning to end. The story here is most involving. David Yates comes on board for this fifth film adaptation and works wonders. The events in the film truly take the series to new realms and darker corners, but these characters are just great to watch. Imdela Staunton as Professor Umbridge is an evil delight, and a strong addition to the film.  With the impending battle between Hogwarts and Voldemort drawing closer, ‘Order of the Phoenix’ has the opportunity to have a much more plot-driven film, a suspenseful action-adventure that sees further drama bridging to the final events to come. This is a great film.

-MJV & the Movies

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Harry Potter and the Goblet of Fire

gobletJ.K. Rowling’s universe furthers its limitless boundaries, and with ‘Harry Potter and the Goblet of Fire’, the series’ translation to film continues to impress.  Harry’s world represents endless possibilities, part of the series’ undeniable fun and excitement.

This time, the schools of magic are apparently international, spanning other nations and bringing these different institutions together for one slam-bang tournament known as the ‘Triwizard’, in which three 17-year-0ld students are chosen by the Goblet of Fire (much like the magic hat that selects students’ housing) to compete in a Battle Royale of Magic sort-to-speak; not battling each other, but against tumultuous threats, a competition I can’t wrap my brain around. These kids are put in life-and-death situations that test every ounce of their capabilities in the world of magic. With this knowledge, the school has an uproar when Harry Potter’s name spits out of the Goblet as an illegal fourteen-year-old fourth contestant.  He is shunned by his classmates, especially his best friend Ron, which really made no sense to me. Hermione tries to reach out to him, but Harry keeps his distance. His nightmares of the Dark Lord are getting to him again, and whoever or whatever rigged his name into the goblet seems to spell doom for Harry.  It doesn’t help that the Yule Ball is approaching for the youngsters either, forcing the kids to learn to dance and for the boys to ask out at a date. This could prove more complicating for Harry than anything he faces in the Triwizard Tournament.

goblet 2

This installment finally reaches a pivotal point in this remarkably rich saga. The story in particular finally revolving around the character of Lord Voldemort, which was briskly touched on in ‘The Sorcerer’s Stone’, gets into the thick of the encompassing story.  With the Triwizard tournament, and another new director in the british Mike Newell, the movie has a lot more action than the previous films, lending this particular film a much swifter pace, and more exciting and scary threats for Harry. I could’ve done without the snotty Ron Weasley all up-in-arms over his suspicion of Harry somehow sneaking his own name into the cup. So what if he did? I also can’t quite comprehend how these competing international schools would allow such a tournament to go on. I suppose a lot of the magic performed at Hogwarts, including the fast-paced games of Quidditch, could prove about as dangerous. But Harry has to take on giant dragons, save his own classmates from an underwater obstacle course filled with evil creatures, and then has to wander through an endless, isolated maze that apparently can drive its occupants completely mad. This school takes the threats in the previous films quite seriously, so I guess I can’t understand why they would promote such a dangerous tournament where students could easily be killed.  I also wondered what would happen to the students placed at the bottom of the lake in the second challenge. Harry finds Ron and Hermione among others down there, and wants to save more than one student when his task is to save only the sole selected. Would the remaining student(s) die if left there? Such questions puzzled me, but sort of became a bit irrelevant amidst the film’s excitement and proceedings.

The action here is a doozy. And the darker tone and return of Voldemort (played by a deliciously serpentine Ralph Fiennes) really help the series take a great leap forward. The cast again, redundant as it may sound, continue to take the reigns of their characters, though at times I felt a bit annoyed with Rupert Grint this time around. I think that’s solely because of how whiny his character is in this particular film.  Otherwise, Daniel Radcliffe and Emma Watson continue to impress.  Brendan Gleeson is a welcome new addition to Hogwarts as a Professor of Defense Against the Dark Arts.  Maggie Smith and Alan Rickman (my favorite supporting character) may be getting a bit shortchanged, but that is to be expected.  All in all, the film is a marvelously fun accomplishment.  ‘Harry Potter and the Goblet of Fire’ is a dazzler, an action-packed installment that continues a thrilling series that miraculously dodges audience fatigue with endless surprise and invention.


-MJV & the Movies

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Harry Potter and the Prisoner of Azkaban

azkabanHarry Potter has a chance to simultaneously lighten up and get serious in ‘The Prisoner of Azkaban,’ widely considered (to my disagreement) the best installment of the franchise thus far. A new director and a fresh tone do liven things up a little bit as our lead hero enters his teenage years with rebellion and frustration intact.

The story sends the young magic trio back to school under the alarming news that Sirius Black (Gary Oldman), a savage murderer– also an accomplice in the death of Harry’s parents–has escaped from Azkaban prison. Dementors (wraith like spirits with soul-sucking power) are dispatched to seek the prisoner out, that is if Potter doesn’t find him first and have his revenge, or possibly fall victim to the dementors himself.azkaban 2

Right out of the gate, I think ‘Prisoner of Azkaban’ trumps its predecessors as far as all the technical aspects go. The action and special effects are first-rate. There are some great sequences to thrill to, especially a few CGI additons: a horse-bird hybrid called Buckbeak and a few menacing werewolves.  The plot is serviceable enough–I particularly enjoyed developments toward the film’s climax.  The story also introduces us to a new ‘Harry Potter,’ a blood-thirsty teenager not just sad about the loss of his parents and not so easily cornered by his tormenting aunt and uncle. This Harry fights back with disregard, and all three youngsters mature in that light.  Credit the lighter feel of the film to its new director, Alfonso Cuaron, who trims the running time by approximately twenty minutes, allows more humor to find its way into the material, and somehow manages to make this darker premise not so heavy.  I will say this is the most inventive film of the series, but I felt the plot contained less suspense than ‘The Chamber of Secrets’ and lost some of that ‘dreary and haunted’ vibe. And to Cauron’s credit, that’s because ‘Azkaban’ seems aimed at being more fun. I did enjoy it, but it wasn’t my favorite.


-MJV & the Movies.

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Harry Potter and the Chamber of Secrets

chamberThe ‘Potter’ series gets a boost with “The Chamber of Secrets,” Chris Columbus’ second outing at Hogwarts. This time out Harry, Hermione and Ron must discover what’s causing the paralyzing of students at school, a beast or monster perhaps, buried within the mysterious  ‘chamber of secrets,’ and they must act fast as the victims are piling up, or the school will soon be closed.chamber 2

This is a much darker, meatier film than we got the first time around. The story takes interesting turns, and the suspense actually keeps the audience on edge, huge Potter fanatics or not.’The Sorcerer’s Stone’ really strayed from any straight-forward plot mechanics and simply took us into its world and introduced the characters and purpose of magic. ‘Chamber of Secrets’ allows its characters to go further and work within the confines of an interesting story that actually holds some striking interest. And while I griped that the special effects were a bit lacking the first time around, this film steps it up considerably. The Quidditch sequences are much more fluid, the flying car sequences are a treat, and watch out for the dark forest with giant man-eating arachnids– good stuff!chamber 3

I can complain about minor CGI characters or the film’s running time over and over, but it wouldn’t be worth my while. These movies are stuck at 2 1/2 hours roughly, and at least this one makes use of the time. With a production design like this, pitch perfect actors growing into their roles, and a solid story, ‘Harry Potter and the Chamber of Secrets’ is definitely a worthy installment and an improvement over ‘Part One.’

-MJV & the Movies

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