How to Train Your Dragon


“Iron Man 2″ is about to blast off, but “How to Train Your Dragon” has sort of become the hottest topic at the box office so far this year.  Yes, “Alice in Wonderland,” took the world by storm, but “Dragon” started small and has been raking in viewers every weekend since, showing legs that are like  the second cousin-twice-removed of ‘Avatar.’  So it is in this light that I decide to review “How to Train Your Dragon,” which I went to see only curiously out of its sweeping success.
Somewhat disappointingly, “How to Train Your Dragon” is not the heralded classic its Tomatometer rating might suggest.  The Dreamworks Animation feature has to be experienced on a purely visceral and visual level.  The 3D factor really helps nudge this one a cut above the rest, making a stronger impression than “Kung Fu Panda” and “Monsters vs. Aliens,” but still never reaching Pixar-level storytelling.

The plot involves a young blacksmith, Hiccup, born to the greatest viking in all the land.  Hiccup may be born of vikings, but he has little violence in his blood, as much as he tries to be the warrior his father is.  In an attempt to showcase some valor, Hiccup tries a shot at catching himself a dragon, and does so.  No one believes his story, but the young lad ends up training his newfound pet, Toothless, in secret, learning all the tricks and trades of the dragon population, which allows him to make 180-transition in his training simulations.  Over the course of the boy and dragon’s growing bond, Hiccup learns that the dragons really aren’t savage beasts, and decides he must try to stop the viking population from attacking these harmless creatures.

The story sounds as though it would appeal on an emotional level, but it never quite gets there.  The plot is very standard in the traditional sense of the animation universe, and I think the movie is best enjoyed as an entertaining 3D wallop, which it most certainly is.  Toothless, the dragon, is very cute, and the relationship between Hiccup and Toothless is no more than cute.  Perhaps I’ve been getting used to movies like “Up” and “Wall-E” that have had the opportunity to hamper my judgment with animated movies, but simply put, “How to Train Your Dragon” is not quite up to that quality-level of filmmaking–and there’s nothing wrong with that.  Dreamworks provides another serviceable entry to their canon that provides eye-popping action sequences in 3D that make a good argument for that extra dimension.  Audiences should be thrilled, entertained, and will certainly enjoy themselves for the movie is certainly never boring, but I didn’t find it to be as emotionally resonant as it thinks it is.

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Rating: 3.5/5 (2 votes cast)
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Funny People


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Judd Apatow, with his mega reputation as the savior of comedy in the last few years, has his first misstep as a director. ‘Funny People’ is an odd comedy-drama that is  an overlong (an Apatow trademark) and mostly depressing look at a celebrity comedian’s life. Adam Sandler plays George Simmons, much like the star himself, a comedic actor with a lot crappy blockbusters on his resume who discovers he is dying from a form of lukemia. Simmons then decides to hire a struggling stand-up comedian (Seth Rogen) to work as a live-in assistant and writer for him. Midway through the film, Simmons finds out his experimental treatment on his disease has actually cured him, so he decides to seek out his former love interest (Leslie Mann), now married, and attempt to win her back.

At the point Sandler’s character thinks he’s going to win back his former love does ‘Funny People’ start to sink into a slump it can’t recover from. Otherwise, the first hour or so of the film actually works to Apatow’s credit. Sandler plays a disspirited, selfish character stuck in regret and despair. You don’t like or sympathize with George Simmons the entire film, and that’s a big problem.  I didn’t care about his impending death or his lost relationships.  Seth Rogen, Jonah Hill, Jason Schwartzman and many celebrity cameos are the saving graces of the film and provide a lot of the real genuine laughs and help this near 2 1/2 hour endeavor keep on moving.  Yes, 2 1/2 hours, a seriously long time to wade through a film about a main character that you don’t like. Unlike Mickey Rourke in ‘The Wrestler’ who also had a screwed-up life and torn relationships, you sympathized with the character. He played a man seeking redemption, but kept taking the wrong turns. Sandler plays a character that hates everyone about as much as he hates himself, and he continually uses people for his own benefit. The final hour of the movie introduces Leslie Mann, Sandler’s ex, as he travels with Seth Rogen to her suburb home. She’s stuck in a relationship with a cheating husband (Eric Bana) and two daughters. She wants out and back with Sandler, but everything gets complicated, leading to a lot of long, depressing scenes that seem out of left field for the movie.  The moral here, is that despite Simmons’ second chance at life and outlook that he can change for the better, the man will never find happiness because he will always be himself. It’s a long road to figure that out, and despite great performances from all the actors involved and some good scattered laughs, ‘Funny People’ is a mixed-bag that is too long and odd to recommend. It’s the mistake of an immensely talented filmmaker, so hopefully with his next feature he sticks to the lighter tones of what made ‘The 40-Year-Old Virgin’ and ‘Knocked Up’ comedy gold.

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Rating: 3.0/5 (1 vote cast)
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