The Other Guys

I can’t remember the last time I sat through a major comedy featuring prominent stars without at least a few good laughs finding their way out.  To my complete surprise, Will Ferrell and Mark Wahlberg have unsuccessfully lampooned the buddy-cop action flick with The Other Guys.  This latest Adam McKay–Will Ferrell collaboration hit with a thud, so much so I began questioning whether I even enjoy Ferrell as a comedian.

That simply can’t be the case.  He’s a gifted comic actor, and his performances in Elf, Anchorman, Zoolander, Wedding Crashers, Blades of Glory and other films have caused me side-splitting pains of laughter.  But lately with Semi-Pro, Step Brothers, Land of the Lost, and now The Other Guys (which is getting good reviews and making buckets of dough), I seem to be losing appreciation for the funnyman.  However, a likelier conclusion would be that he has simply been floundering in stink-pile projects.  Either way, The Other Guys happens to be an intriguing premise and allows Ferrell and Mark Wahlberg to trade zingers—an opportunity I was looking forward to immensely.  The script simply goes nowhere, and I didn’t care for any of the jokes.

Ferrell and Wahlberg play pencil-pushing cops Gamble and Hoitz, living in the shadows of destructive action-hero NYPD detectives (Samuel L. Jackson, Dwayne Johnson) living out Bad Boys-style stunts and rescues on a daily basis.  One such chase has them leap off a high-rise building in an effort to catch the bad guys, and their self-proclaimed indestructibility causes them to forget that gravity will pull them to their deaths. With these two larger-than-life boneheads out of the way, Hoitz wants in on the action and away from his desk, dragging the hesitant Gamble along with him.  Gamble wants to play it safe, while Hoitz is looking for a big case.  The two find one unexpectedly, and become knee-deep in some extortion plot resulting in their inevitable suspension, allowing action-movie cliches to ensue (although it’s intended for laughs).

Sadly, I found zero fun here.  I can appreciate what McKay and Ferrell were trying to do, and I can see this potentially being a great comedy, but the jokes continuously backfired and fell flat.  Even Wahlberg, usually the hard-nosed action-star, failed to do much more than shout obnoxiously throughout (hilarious Mark, I know).  The plot was simply lacking, the dialogue wasn’t funny, and the mash-up of Ferrell and Wahlberg was in fact inspired, but went nowhere with the material.  I am amazed that the critically-reviled Cop Out from Kevin Smith seemed more enjoyable.  If Other Guys has a redeeming quality, it is Michael Keaton throwing out lyrics from TLC hits and doubling as Police Captain and Manager of Bed Bath & Beyond.  Otherwise, Adam McKay and Will Ferrell continue down a slippery slope.  Step Brothers I hated, and Other Guys almost as much, just not in the same way.  Where Step Brothers was so idiotic and loud, Other Guys is simply tired and lazy.

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Rating: 2.5/5 (2 votes cast)