The Hot Chick


Jessica Spencer (Rachel McAdams) is a stuck-up, self-absorbed, cruel little harpie who strings along and breaks the hearts of boys and girls alike (in different ways). She’s exactly the type of girl that makes you think “Boy I hope she wakes up one morning to find that she’s traded bodies with Rob Schneider, and is destined to be chased from her home by her family, maced by her best friend, forced into a fist fight, watch her boyfriend find someone else, and scratch out a living cleaning toilets and mowing yards!” And, just as you’d expect, that’s exactly what happens. Via a ridiculous plot device that I won’t even bother with, Jessica and a male mugger (Schneider) wake up one morning on opposite sides of town, begin their morning urination ritual, and suddenly realize that something is very, very wrong. Hilarity ensues.

No, really, it does. The biggest surprise of The Hot Chick is that it is actually really good. Most of the credit for that has to go to Schneider, as he pulls off one of the toughest acting assignments I’ve ever seen with flying colors. I am not, generally a Schneider fan. I consider his acting sophomoric and distasteful. But it seems he was born to play a teenage girl. No, I mean that as a compliment. Watching Schneider prance, preen, giggle and bat eyes in this movie, you really do forget that he’s acting and he isn’t really a teen chick in the wrong body (at least I … assume he isn’t). I don’t know what Schneider does in his personal time, but he spends a lot of this movie hanging out (so to speak) in tight, pink T-shirts and tight panties, and pillow fighting with Jessica’s BFF’s until it seems almost natural.

Jessica's best friend (Anna Faris) really wanted to see Jessica's new ... best friend.

Aside from Schneider’s antics, the story is built around Jessica’s quest to get her body back, with the help of a bunch of other girls, once she’s convinced them of her identity, as well as get her boyfriend back. Her boyfriend has been stolen by an equally stuck-up cheerleader from a rival school, and I have to say, there is something very satisfying about watching Schneider head-butt her. There’s something even more satisfying about seeing a rich daddy’s-girl, now stuck in a male body, trying to do manual labour. Probably the funniest scene in the movie is when Jessica (Schneider) enters a men’s room, and finds all the stalls occupied, and has no choice but to use the urinal. She then begins asking other men how to pee standing. (Side note: it’s not like it’s that hard.)

Women complain that men don’t get rid of our body hair. If they had our biology, they’d see how hard that is.

One of the problems in reviewing a high-quality comedy is that I can’t tell you much of the good stuff, or I’ll ruin it. I can say, however, that there is one notable flaw. Schneider can play a teen chick for laughs until the cows come home, but every time he tries for drama, he crashes and burns. The scenes where Jessica tries to be reconciled to her father, or where she hears her boyfriend talk about how he really feels about her are pretty painful to sit through. Then again, it’s not like I could have done any better.

There are a few holes in the plot. It’s interesting that nobody seems to notice Jessica’s missing for a week. Also, her boyfriend, Billy, goes on his own internal journey. This ads some human interest to the plot, but they could have had him turn into a decent guy without having him turn into a total man-gina. All in all though, this is a movie well worth seeing.

 

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Sherlock Holmes


The other big release living in James Cameron’s shadow over the holiday season, “Sherlock Holmes” pits Robert Downey, Jr. in the titular, brilliant detective character, this time in a 2009 F/X-filled upgrade courtesy of Guy Ritchie.

The plot is a little shaky, but seems to involve the sorcerer Lord Blackwood’s attempt to take over the world in all-too-evil fashion.  After his capture and sentenced hanging early on, he returns from the grave to entice the interest of the doubting Detective Holmes and his most trusted counterpart Watson (Jude Law) to investigate.

Law and Downey have a real chemistry here, consistently delivering the laughs and swashbuckling fun. In fact, this end-of-the-decade rendition of the classic character is both unlike anything audiences have seen before and perfectly suitable. The film boasts an infectious “Pirates of the Caribbean” vibe, and Downey is always worth the watch.  Having recently jump-started his career again, it’s a pleasure to see the talented A-lister swashbuckling his way through this fast and often funny adventure film. But to my digress, the film has the wrong director: Guy Ritchie. He takes a lot of directorial nods from his “Rock N Rolla” and “Snatch” to deliver a confusing, almost uninteresting narrative.  The plot never kept me involved, even when the set pieces and two lead actors did.  With that said, the action and comedy deliver for the most part, and for that reason “Holmes” will be a fun time for most, you will just wonder what’s going on.  I have to express my minor disappointment, but nonetheless, I am looking forward to a more engaging sequel.

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