Terminator Salvation

As my uncle and I were walking out of the theatre after seeing T4, I turned to him and said “That was a good movie. Not necessarily a good Terminator movie, but still pretty good.”  A guy walking past heard this brief exchange, and he turned to me and asked what movie we were discussing.  “The new Terminator,” I told him.  He paused, thought for a minute, and replied “Yeah, I think I’ll just rent it when it comes out on video.”

Terminator Salvation

My anticipation level for T4 in the months leading up to its release was nearly palpable.  I had watched the trailers many times, read all the pre-release interviews, checked out any pics and clips I could get my hands on, and re-watched the original three.  But when Terminator Salvation finally came out, and was met with mixed reviews, I didn’t quite get it.  I know trailers are rarely representative of the final product, but after everything I had seen and read I didn’t see how McG could screw this up.  I mean, sure, he had directed Charlies Angels: Full Throttle, but given the richness of the Terminator universe, and the amount of talent at his disposal, surely he would not disappoint here.  Unfortunately, I did not get to see T4 for a while, but in the meantime my wife and I did get the opportunity to watch We Are Marshall, a competently directed by-the-numbers inspirational sports movie, and my hopes for T4 remained high despite the somewhat negative criticism that was being leveled against it.

To be clear, this is not a movie about terminators–not in the classic sense that we all know them by now.  The first three films have followed an entertaining but predictable premise:  A gets sent back in time to kill B.  C gets sent back in time to protect B.  C is not as powerful as A.  Cue battles, explosions, and ruminations on the human condition.  Terminator Salvation has no time travel, and the entire movie takes place in the future after the infamous, but always impending, Judgement Day of the first three.  It’s more like Mad Max than Terminator, and herein lies the crux of the matter:  as long as you aren’t expecting another retread of James Cameron’s original premise, this is a very enjoyable action movie.

The many explosive action set pieces lend an epic sense to T4 that was sorely missing in T3, and the deserted wastelands of the western coast really give a sense that this is a world without hope, consisting of scattered bands of humans struggling to survive.  In fact, we see that humanity is not entirely united in its fight against the machines, and some groups are content to stay underground and exist in fear.  I rather enjoyed this larger take on our futuristic counterparts, as it shows some depth to the Terminator universe that I had previously not considered.  Much of the movie is about Marcus Wright, rather than the famous John Connor, and this is where things in the script department start to get a little derailed.

For years we have been hearing about the great leader John Connor.  Even before he was onscreen we heard about him in the original Terminator.  In T2 he was a petulant upstart with a whole lot of potential for channeling his angst into world-saving charisma.  T3 showed a JC who was more like the whiny Anakin Skywalker of Episode II, but ended with the seeds of humanity’s savior finally beginning to take root.  In T4, our fabled hero is nowhere to be found for much of the movie.  Instead we are treated to another petulant upstart, a survivalist woman who thinks she is in a Resident Evil movie, and a young girl who cannot talk (can anyone say Newt?).  Connor does get to bust some robotic heads near the end, but this movie takes so many departures on its way to the climax (which, in essence, leaves everyone no better off than they were at the beginning, and very little has actually changed or happened) that it’s somewhat of a letdown.  Sam Worthington’s performance as Marcus Wright is outstanding, and I wholeheartedly welcome him into the Terminator timeline.  Kudos also to Chckov Anton Yelchin who does a pretty darn good job as Kyle Reese.

Still, it has to be said that Terminator Salvation is exhilarating, entertaining, and a whole lot of fun to watch.  Just know that it’s not quite the T4 we were all expecting.

On a side note, any time a post-apocalyptic movie has a cast with gleaming white teeth and lip gloss, the immersive quality is immediately reduced to near-zero (see also:  Matrix 2 and 3).

Transformers: Revenge of the Fallen

transformers

Only a few sizable blockbusters have managed to break through the box office ice this summer. ‘Star Trek’, ‘Up,’ ‘The Hangover’ and even ‘Wolverine’ have managed to earn their keep amidst several flops: ‘Terminator Salvation,’ ‘Land of the Lost,’ ‘Year One,’ ‘The Taking of Pelham 123.’  Does Michael Bay’s latest margarita of explosions, babes and robots spice things up on the silver screen?  In terms of dollars: yes.  In terms of entertainment value: not like I’d hoped.

Sam (Shia LaBeouf) is off to college for five minutes when war explodes between autobots and decepticons once again.  While Sam may not want anything to do with the fight, the ‘Fallen’ (just know they’re bad bots)  have other plans for him and need to scan his brain for some important information that will lead them to a temple in Egypt that is key to the autobots’ destruction.  Sound crazy?  I haven’t even gotten into the teleporting yet.  But maybe I’ll just stop there while the plot makes little sense as opposed to absolutely zero sense if I were to go on any further.

This latest Bay quest to blow up the world certainly shows off its budget. The special effects are revved up high as these morphing bots battle each other in several eye-hurtling wrangles of metal-on-metal thrashing.  There’s lots of yelling and screaming amidst the computer generated imagery — and let’s be honest — this is ‘Transformers’ we’re talking about, so all the critical backlash can go dismissed when it comes to cursing Michael Bay for his brainless eye-popping antics. This series was never about strong storytelling from the first teaser trailer we discovered with the 2007 picture.  Instead, Bay has created a canvas for fireballs and tearing up the laws of physics. Sounds like ‘Armageddon,’ ‘Bad Boys 2’, ‘The Island,’ and even ‘Pearl Harbor.’ Span that destruction over 2 1/2 hours, and you have the idea for both ‘Transformers’ films as well.

tformers

The problem with ‘Revenge of the Fallen’ is that the script obviously has little ambition. This thing fell together as if plot devices and dialogue rained from the sky intoa  gutter-system and out a studio drainpipe. I really have no idea why these Decepticon bots want Sam Witwicky’s knowledge of hidden systems from millions of years ago buried beneath the Egyptian pyramids that have the power to suck up the sun. I guess it will destroy Earth, but it never comes together, and never really makes any sense. All the previous characters are back too, but anyone can tell it’s only out the sheer coincidence of the confused storyline to throw these characters together again. All this confusion, punctuated with bouts of humor from some rather irritating supporting characters, human and robotic (I’m looking at you ‘Twin Bots’), sends ‘Revenge of the Fallen’ into rushed studio oblivion where fan anticipation and big booms cover all.  Let me veer on a tangent for a minute:

Shia LaBeouf.

The young man really holds this odd opus together. When the self-absorbed director and multiple screenwriters throw lemons at the kid, he makes lemonade with it. He consistently carries us through this mess and the laughable romance with Megan Fox’s character. His delivery never misses a beat when it comes to the humor and focus at the center of this soulless endeavor.  Regardless of his stance as a debatable box-office star, he holds this $200 million production together.

At the end of the day, Transformers 2 will wear the crown of box office champ of 2009, no doubt. It’s expensive, visually great, louder than a wood-chipper, and has a storyline that gets it about halfway and then falls apart into a huge, confusing onslaught of action in the last forty-five minutes or so. The first film (which I would’ve award 4 stars of 5 for its huge scale, likable find in LaBeouf, consistent humor, and simpler dopey premise) got it right. This second installment is poorly conceived and confusing, and a lot of the humor falls flat. As much as I want to recommend the action, even the ‘explosion! explosion!’ finale isn’t engaging. No Peter Travers, it’s not the worst movie of the decade. I can think of far worse to sit through. Let’s all stop hating Michael Bay – we know what we’re getting with the man. Transformers 2 is a minor failure, but give the next installment a little more time to bake and a little less ingredients, and I’ll be first in line.

[Rating:2.5/5]